przed: (lawrence huzzah by crymeariver)
[personal profile] przed
Well, today we're just hiding indoors, basking in the A/C and avoiding the heat, but it's been a busy weekend otherwise.

Friday night, I saw Blowup yet again at Cinematheque. It's one of Antonioni's masterpieces and I always try and see it whenever it's being screened. It's been a couple of years since the last time, and I'd forgotten that John Castle has a small role, as David Hemming's painter friend.

So, [livejournal.com profile] agentxpndble, just for you here's a capture of a young, lovely John Castle, with David Hemmings lurking in the background.


John Castle and David Hemmings

And for me, a cap of the young and beautiful David Hemmings, sans shirt.


David Hemmings

Yesterday, we spent the day in Stratford and saw the Stratford Festival production of Coriolanus. I couldn't resist, since Coriolanus is one of my three favourite Shakespeare plays (and not only because you can really push the homoerotic bond between Caius Marcius Coriolanus and Tullus Aufidius, though that doesn't hurt) and Colm Feore, one of the best theatrical actors in Canada, was taking the lead role. I wasn't disappointed either. It was a lean, muscular production of the play, and while the homoerotic angle wasn't played up as much as it could have been, the scene where Tullus and Caius join forces was rivetting. If you're at all near Stratford, Ontario, I'd totally recommend getting tickets.

Date: 2006-07-17 03:29 pm (UTC)
From: [identity profile] reginaspina.livejournal.com
Goodness! John Castle - loved him since "The Lion in Winter", sigh! I didn't like "Blowup" when I saw it ages ago, but your reviews have made me reconsider; I think I'm going to have to watch it again!

Date: 2006-07-17 03:38 pm (UTC)
From: [identity profile] przed.livejournal.com
Castle is wonderful in The Lion in Winter, as is that entire cast.

I really cannot recommend Blowup highly enough. It's not for everyone, being European art cinema of the highest degree, but I find it utterly rivetting. The shot composition is impeccable and it's a fascinating and often playful examination of the acts of seeing and being seen, and of how the observer imposes their own expectations on what's being seen. And it doesn't hurt that Hemmings is not at all hard on the eyes.

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